With living museums, private galleries and art classes, this is the year to discover the country’s creative safari rather than the Big Five
“Does African art matter? It does internationally – but does it matter to Africans? Should it? That was the question I asked myself,” Peter Achayo explained earnestly.
What a difference a day makes. Yesterday I’d been in the wilderness, tracking wild dogs. Now I was on the hunt for Nairobi’s thriving arts scene, having an existential debate with Peter, my guide, in the back of a slow-moving taxi. At this moment, he was explaining what led him to leave a successful marketing career and follow his passion, becoming a Contemporary African art promoter and documenter.
“We’ve hundreds of exciting artists in Nairobi alone,” he continued. “Many exhibit overseas, where their collectors are: but they’re not well known here. I’m on a mission to change that.”
My own Art Experience had been curated by Peter and fashion designer Anna Trzebinski, at whose hybrid hotel I was staying. Part bijou bolthole, part living museum-cum-private gallery, part cultural salon (yes, really), Eden Nairobi was once the Trzebinski family home.