Mirror reporter gets a behind the scenes look at the British-based company creating the gasp-inducing aerial displays that have been wowing crowds around the world
There are very few who welcome torrential rain in August, in a field, on the eve of a music festival.
Muddy revellers slamming in tent pegs aren’t keen. And nor, as it turns out, are drones. Especially the 500 – total value approx $1.5million – which lurked in one particular quagmire at the Wilderness Festival in Oxfordshire last week, poised to lift off.
This mesmerising grid of creatures arranged like a dot-to-dot which I tiptoed gingerly across in caked boots – a âswarm’ is the technical term (really!) – are accustomed to more salubrious surroundings. This is the fleet, an army of four-propeller, 700g flying machines resembling robotic spiders, responsible for magicking a giant corgi above Buckingham Palace for the late Queen’s Jubilee. (They took off from Her Majesty’s garden.) Not to mention a twisting whale and roaring lion above Windsor Castle for King Charles’ Coronation.
They are the bright lights behind increasingly sophisticated images created by the Leeds-based light show company SKYMAGIC, which have now become a soaring stalwart of our most historic occasions. But right now, firmly back on earth, it’s all a bit soggy. “I check four weather apps – I didn’t see this coming,” apologises production director James Bawn, 41.